function getRandom(range)
{
return Math.round(Math.random() * range);
}
quotes = new Array();
quotes[0] = "\"The basis of the cinema's appeal is emotional. Music's appeal is to a great extent emotional, too. To neglect music, I think, is to surrender, willfully or not, a chance of progress in filmmaking.\" Alfred Hitchcock (Cinema Quarterly, 1933)
";
quotes[1] = "\"You can describe something which perhaps isn't there on the actual screen but which, together with the music, starts to exist. It's interesting - drawing out something which doesn't exist in the picture alone or in the music alone. Combining the two, a certain meaning, a certain value, something which also determines a certain atmosphere, suddenly begins to exist.\" Krzystof Kieslowski (Kieslowski On Kieslowski, 1993)
";
quotes[2] = "\"Feelings are more important than intellect. The audience responds to a film by its feeling, not through any conscious analysis of what it has seen....\" Stanley Kubrick (Newsweek, 1957)
";
quotes[3] = "\"There are certain areas of feeling and reality that are notably inaccessible to words. Nonverbal forms of expression such as music and painting can get at these areas, but words are a terrible straitjacket.\" Stanley Kubrick (New York Times)
";
quotes[4] = "\"Williamsangst (Williams + angst) is the terrible feeling that John Williams is suddenly standing behind you as you write, peering over your shoulder snickering and clicking his tongue in disapproval. This is a very real anxiety for many composers. Even John Williams is said to experience this phenomenon from time to time.\"Charles Bernstein (Film Music And Everything Else!, 2000)
";
quotes[5] = "\"All that I can say about my method in writing music for films is that it is intensely personal. I work completely emotionally. I cannot intellectualise about the role of music in film. I decide if it should be there purely by my emotions.\" Jerry Goldsmith
";
quotes[6] = "\"Ultimately, [film scoring] is all about storytelling.\" Danny Elfman
";
quotes[7] = "\"[Music] is the communicating link between the screen and the audience.\" Bernard Herrmann
";
quotes[8] = "\"That's because it happens to be me! I was the composer of both! I sound like myself!\" Bernard Herrmann (when asked why one piece of his music sounded like another, 1971)
";
quotes[9] = "\"I have some training, just enough to get me into trouble, but not enough to screw me up forever.\" Michael Kamen
";
quotes[10] = "\"Composing for movies is hard. That's why so many movie scores are bad. They either duplicate the action or emotion already being played on screen or are so neutral that they simply fill silences like Muzak in an elevator. The key to a good score is finding a function for the score that is not being filled by any other element in the picture.\" Sidney Lumet
";
quotes[11] = "\"There's nothing worse than when music is used to tell the audience what they should be feeling. Unfortunately, it happens all the time.\" Martin Scorcese
";
quotes[12] = "\"The old standard answer is true: the most difficult scene to write is always the one you're writing at the moment.\" John Williams (International Musician, July 2005)
";
quotes[13] = "\"A piece like [The Raiders March] is deceptively simple to try to find the few right notes that will make a right leitmotivic identification for a character like Indiana Jones. I remember working on that thing for days and days, changing notes, changing this, inverting that, trying to get something that seemed to me to be just right. I can't speak for my colleagues but for me things which appear to be very simple are not at all, they're only simple after the fact. The manufacture of these things which seem inevitable is a process that can be laborious and difficult.\" John Williams (in conversation with Lukas Kendall, April 1995)
";
randNum2 = getRandom(13);